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all i ever need instrumental is "You've seen Mr. Owen"—Mrs. Gereth concurred. She put down her cup and sank into a chair, in which she leaned back, resting her head and gazing at her young friend. "Yes, I did tell you a while ago that for you I'd do it. But you haven't told me yet what you'll do in return." Fleda hesitated; she had not quite had a definite idea. "Well—he'll give them up.".

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🎮 She met his eyes with all the tenderness she had not yet uttered, and she had not known till this moment how great was the accumulation. "Perhaps, after all," she risked, "there may be even in a stone still some little help for you." "So much the better, if it's the kind of one you desire." That was the most she could say, and having made it sound as dry as possible she lapsed into a silence so pointed as to deprive him of all pretext for not leaving her. Still, nevertheless, he stood there, playing with his hat and filling the long pause with a strained and anxious smile. He wished to obey her thoroughly, to appear not to presume on any advantage he had won from her; but there was clearly something he longed for beside. While he showed this by hanging on she thought of two other things. One of these was that his countenance, after all, failed to bear out his description of his bliss. As for the other, it had no sooner come into her head than she found it seated, in spite of her resolution, on her lips. It took the form of an inconsequent question. "When did you say Mrs. Brigstock was to have gone back?"!

🏆 Fleda hesitated. "Did you see her?" Something else, however, when morning came, was even more intensely definite: the most odious thing in the world for her would be ever again to meet Owen. She took on the spot a resolve to neglect no precaution that could lead to her going through life without that accident. After this, while she dressed, she took still another. Her position had become, in a few hours, intolerably false; in as few more hours as possible she would therefore put an end to it. The way to put an end to it would be to inform Mrs. Gereth that, to her great regret, she couldn't be with her now, couldn't cleave to her to the point that everything about her so plainly urged. She dressed with a sort of violence, a symbol of the manner in which this purpose was precipitated. The more they parted company the less likely she was to come across Owen; for Owen would be drawn closer to his mother now by the very necessity of bringing her down. Fleda, in the inconsequence of distress, wished to have nothing to do with her fall; she had had too much to do with everything. She was well aware of the importance, before breakfast and in view of any light they might shed on the question of motive, of not suffering her invidious expression of a difference to be accompanied by the traces of tears; but it none the less came to pass, downstairs, that after she had subtly put her back to the window, to make a mystery of the state of her eyes, she stupidly let a rich sob escape her before she could properly meet the consequences of being asked if she wasn't delighted with her room. This accident struck her on the spot as so grave that she felt the only refuge to be instant hypocrisy, some graceful impulse that would charge her emotion to the quickened sense of her friend's generosity—a demonstration entailing a flutter round the table and a renewed embrace, and not so successfully improvised but that Fleda fancied Mrs. Gereth to have been only half reassured. She had been startled, at any rate, and she might remain suspicious: this reflection interposed by the time, after breakfast, the girl had recovered sufficiently to say what was in her heart. She accordingly didn't say it that morning at all: she had absurdly veered about; she had encountered the shock of the fear that Mrs. Gereth, with sharpened eyes, might wonder why the deuce (she often wondered in that phrase) she had grown so warm about Owen's rights. She would doubtless, at a pinch, be able to defend them on abstract grounds, but that would involve a discussion, and the idea of a discussion made her nervous for her secret. Until in some way Poynton should return the blow and give her a cue, she must keep nervousness down; and she called herself a fool for having forgotten, however briefly, that her one safety was in silence.!

🔥 Download all i ever need instrumental "She's simple and slow, but she's not a fool: I think she treated me, on the whole, very well." Fleda remembered how Mrs. Gereth had treated Mona when the Brigstocks came down to Poynton. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"!🔥